To eat steak rare represents both a nature and a morality.
ROLAND BARTHESWhen we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
More Roland Barthes Quotes
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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Great portrait photographers are great mythologists.
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The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing. No progress in pleasures, nothing but mutations.
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We know that the war against intelligence is always waged in the name of common sense.
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I cannot classify the other, for the other is, precisely, Unique, the singular Image which has miraculously come to correspond to the speciality of my desire. The other is the figure of my truth, and cannot be imprisoned in any stereotype (which is the truth of others).
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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We don’t forget, but something vacant settles in us.
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Isn’t desire always the same, whether the object is present or absent? Isn’t the object always absent? -This isn’t the same languor: there are two words: Pothos, desire for the absent being, and Himéros, the more burning desire for the present being.
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It is no longer the sexual which is indecent, it is the sentimental.
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It must always be considered as though spoken by a character in a novel
ROLAND BARTHES