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I am not a special person, I am not especially strong; I am not especially gifted.

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Especially Gift Hate Special Strong

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
AKIRA KUROSAWA

Able Camera Cinematic Cross Expression Fire Microphone Truly Water
Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing.
AKIRA KUROSAWA

Being Honest Human Themselves Unable
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
I can’t afford to hate anyone. I don’t have that kind of time.
AKIRA KUROSAWA

Afford Anyone Hate Kind Time
I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA

Attain Believe Filmmaker First Hope Inspire Make People Place Quality Quantity
I end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
AKIRA KUROSAWA

Alive Come End Make Own Plan Thing Will Writing
I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
AKIRA KUROSAWA

Believe Detach Gaze Meant Medieval Playwright Theory Warch
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
I don’t feel out of place. I think of earth as my home. If everyone thought this way, people might notice just how foolish international friction is and the would be put an end to it.
AKIRA KUROSAWA

Earth End Feel Foolish Friction Home International Notice Out Place
Human beings share the same common problems. A film can only be understood if it depicts these properly.
AKIRA KUROSAWA

Being Common Depict Film Directing Human Problem Properly Understood
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
The great appeal of film is its relatability.
AKIRA KUROSAWA

Appeal Film Great Relatability
What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
AKIRA KUROSAWA

Bear Direct Flower Fruit Grow Make Nurture Root Script Tree
A film made in this spirit reveals the hearts of the crew.
AKIRA KUROSAWA

Crew Film Heart Made Reveal Spirit
They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.
AKIRA KUROSAWA

Certain Creator Itself Nothing Often Reveal Straightforward Themselves World
In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
AKIRA KUROSAWA

Artist Contribute Detail Each Mean Must Order Own Reality Search Universe

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