“If you want to be a great director, be a great screenwriter.”

One of techniques of modern art is simplification, and that I must therefore simplify this film.

It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.

I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.

I am not a special person, I am not especially strong; I am not especially gifted.

I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’

During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.

I have no idea who the characters are, later, their personalities take over anything I might want to do.

Movie directors, or should I say people who create things, are very greedy and they can never be satisfied… That’s why they can keep on working.

For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.

If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’

I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?

When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.

When it is very well expressed, one experiences a particularly deep emotion while watching that film.

My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.

I can’t afford to hate anyone. I don’t have that kind of time.

To be an artist means to search, to find and look at these realities. To be an artist means to never look away.

When I took the job as Estée Lauder’s creative director, the first thing I did was go into the archives! I love taking our heritage and making it modern.

As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.

Not being a commodity enough to be hired by the big directors for projects that have some kind of integrity.

And then, there are the producers and the writers and the director on the other side of the glass, and what they want.

Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator

You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.

And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.

You really have to bring your game and know what you want to do.