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It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.

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Action Character Dialogue Difficult Explain Moment Particular Possible Psychological State

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The role of the artist is to not look away.
AKIRA KUROSAWA

Artist Away Look Role
By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
AKIRA KUROSAWA

Aware Being Fix Instantly Nature Right Sense Something Watch Way
Page 61: No matter where I go in the world, although I can’t speak any foreign language.
AKIRA KUROSAWA

Although Foreign Home Language Matter People Speak Thinking World
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
AKIRA KUROSAWA

Believe Carch Detail Director Eye Mean Minute Scene
I like unformed characters. This may be because, no matter how old I get, I am still unformed myself.
AKIRA KUROSAWA

Character Matter May Myself Old Still Unformed
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
AKIRA KUROSAWA

Beauty Believe Call Cinematic Express Film might Moving People Something
Man is a genius when he is dreaming.
AKIRA KUROSAWA

Dream Genius Inspire Man
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
AKIRA KUROSAWA

Bad Director Expression Film Fire Good Masterpiece Mediocre Passable Producer Real Same Script
My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something.
AKIRA KUROSAWA

Beginning Come Film Need Particular Something Thing Time
It is the power of memory that gives rise to the power of imagination.
AKIRA KUROSAWA

Give Imagination Memory Power Rise
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
AKIRA KUROSAWA

Always Begin Film Germinate Idea Number Project Sprout Start Take Work Writing
The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
AKIRA KUROSAWA

Bland Expression Innocent Madmen People Private Public Terrible Thing Totally Wear
The films an audience really enjoys are the ones that were enjoyable in the making.
AKIRA KUROSAWA

Alive Audience Done Film Heart Idea Number Project
I am not a special person, I am not especially strong; I am not especially gifted.
AKIRA KUROSAWA

Especially Gift Hate Special Strong
That is what makes a real movie. The script must be something that has the power to do this.
AKIRA KUROSAWA

Make Movie Power Real Script Something
I had wanted to make The Idiot long before Rashomon. Since I was little I’ve liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film.
AKIRA KUROSAWA

Book Country Film Idiot Like Literature Long Make Want Wonderful

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