The great appeal of film is its relatability.
AKIRA KUROSAWAI end up writing not from my own will, but from theirs-they come alive as I write and make me do things that I couldn’t have planned.
More Akira Kurosawa Quotes
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There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work.
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When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with.
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During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.
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I have no idea who the characters are, later, their personalities take over anything I might want to do.
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I simply do not like to show my weakness, and I hate to lose, so I am a person who tries hard. That’s all there is to me.
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For truly cinematic expression, the camera and the microphone must be able to cross both fire and water.
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The role of the artist is to not look away.
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Human beings share the same common problems. A film can only be understood if it depicts these properly.
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I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
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The Japanese see self-assertion as immoral and self- sacrifice as the sensible course to take in life.
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The truth is in the mystery.
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With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film.
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In a mad world only the mad are sane.
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A film made in this spirit reveals the hearts of the crew.
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Man is a genius when he is dreaming.
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In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things.
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Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people.
AKIRA KUROSAWA -
If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take ‘myself,’ subtract ‘movies,’ and the result is ‘zero.’
AKIRA KUROSAWA -
If you look at everything straight on, there is nothing to be afraid of.
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I suppose all of my films have a common theme. If I think about it, though, the only theme I can think of is really a question: Why can’t people be happier together?
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By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way.
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I believe you must live honestly and develop your abilities to the full. People who do this are the real heroes.
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The terrible thing is that people who are madmen in private may wear a totally bland and innocent expression in public.
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He is still my favourite author, and he is the one – I still think – who writes most honestly about human existence.
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When it is very well expressed, one experiences a particularly deep emotion while watching that film.
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I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
AKIRA KUROSAWA