“I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.”

I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it – like, they say “rock”. Because the white singers can’t sound like James Brown, they call him “soul”. They’ve been doing that for years. That’s the prejudice crap.

Jazz musicians are so comfortable. The reason they can’t do what we do is because they’re so comfortable doin’ what they do.

First you imitate, then you innovate.

That’s the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.

Jazz is like blues with a shot of heroin!

Always listen for what you can leave out.

My father’s rich, my momma’s good looking. Right? And I can play the Blues. I’ve never suffered and don’t intend to suffer.

There are no wrong notes in jazz: only notes in the wrong places.

The thing to judge in any jazz artist is, does the man project and does he have ideas.

It’s not the note you play that’s the wrong note – it’s the note you play afterwards that makes it right or wrong.

If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can’t be trusted.

I’m out there doing the best that I can, My lip is cut and I’m still playing.

It took me twenty years study and practice to work up to what I wanted to play in this performance. How can she expect to listen five minutes and understand it?

It takes a long time to sound like yourself.

I don’t pay no attention to what critics say about me, the good or the bad. The toughest critic I got is myself…and I’m too vain to play anything I think is bad.

Food makes my mind sluggish.

My lyrics aren’t offensive. Some people find everything offensive.

If I hadn’t had Freddie Mercury’s lyrics to hold on to as a kid I don’t know where I would be. It taught me about all forms of music… it would open my mind. I never really had a bigger teacher in my whole life.

Pac get busy. People can’t take nothing from him. On the lyrics, he get busy, straight up.

I’m a great believer in letting lyrics just flow out, wherever they come from.

Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.

I remember when I was very young, I read an article by Fats Domino which has really influenced me. He said, ‘You should never sing the lyrics out very clearly.

I can sing love; only I’m afraid the lyrics might get shattered again.

Lyrics are coming to you all the time. I get inspiration in the middle of the night.