Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
MILES DAVISThat’s the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
More Miles Davis Quotes
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In Europe, they like everything you do. The mistakes and everything. That’s a little bit too much.
MILES DAVIS -
I can tell whether a person can play just by the way he stands.
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My father’s rich, my momma’s good looking. Right? And I can play the Blues. I’ve never suffered and don’t intend to suffer.
MILES DAVIS -
Music is the framework around the silence.
MILES DAVIS -
If you’re going to drop behind, you have to keep it there.
MILES DAVIS -
Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
MILES DAVIS -
If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can’t be trusted.
MILES DAVIS -
I don’t care if a dude is purple with green breath as long as he can swing.
MILES DAVIS -
I’ll play it first and figure out what it’s called later.
MILES DAVIS -
I’ve always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that’s where great art and music happens.
MILES DAVIS -
If somebody told me I only had an hour to live, I’d spend it choking a white man. I’d do it nice and slow.
MILES DAVIS -
Some musicians play with their heart, you know what I mean? I don’t know what to tell a person that can’t – if you can’t tell a person what you’re talkin’ about when they’re rushin’ or droppin’ the tempo, you get somebody else.
MILES DAVIS -
All my inspiration comes from Ahmad Jamal.
MILES DAVIS -
You can dominate a game if you dominate on the line… We’re just going to have to go out there and work hard and blow people off the ball, and let our runners do what they do best.
MILES DAVIS -
I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it – like, they say “rock”. Because the white singers can’t sound like James Brown, they call him “soul”. They’ve been doing that for years. That’s the prejudice crap.
MILES DAVIS -
My ego only needs a good rhythm section.
MILES DAVIS -
When you work with great musicians, they are always a part of you . . . their spirits are walking around in me, so they’re still here and passing it on to others.
MILES DAVIS -
There are no wrong notes in jazz: only notes in the wrong places.
MILES DAVIS -
In improvisation, there are no mistakes.
MILES DAVIS -
Americans don’t like any form of art, man. All they like to do is make money. They don’t like me, Sammy Davis, or anybody else. They don’t like nothing. They just like Sammy because he can make ’em a lot of money.
MILES DAVIS -
Don’t play what’s there, play what’s not there.
MILES DAVIS -
You can tell whether a person plays well or not by the way he carries the instrument, whether it means something to him or not.
MILES DAVIS -
That was my gift having the ability to put certain guys together that would create a chemistry and then letting them go; letting them play what they knew, and above it.
MILES DAVIS -
You have to know 400 notes that you can play, then pick the right four.
MILES DAVIS -
I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.
MILES DAVIS -
We’re not going to play the blues anymore. Let the white folks play the blues. They got ’em, so they can keep ’em.
MILES DAVIS