“It took me twenty years study and practice to work up to what I wanted to play in this performance. How can she expect to listen five minutes and understand it?”

In improvisation, there are no mistakes.

If I hear a song like “Time After Time.” I’m sittin’ there lookin’ at video and Cindy Lauper comes on singin’ this song. I said, “God damnnnnn!”

Certain drummers drop time, and I like to play on top of the beat.

[Jazz musicians] feel comfortable with their clichés, you know.

It takes you years to learn how to play like yourself.

It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.

A painting is music you can see and music is a painting you can hear.

You can’t eat a winner’s plaque.

Bebop didn’t have the humanity of Duke Ellington. It didn’t even have that recognizable thing. Bird and Diz were great, fantastic, challenging – but they weren’t sweet.

If you understood everything I say, you’d be me!

What’s swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don’t have to ask anybody if that’s good music or not. You can always feel it.

I think every Negro over fifty should get a medal for putting up with all that crap.

With “We Are The World,” I can’t even eat when I watch that on television. If I’m eatin’ some food, I have to put it down. I feel very strongly about that.

Music is the framework around the silence.

I’m always thinking about creating. My future starts when I wake up every morning… Every day I find something creative to do with my life.

I think the greatest sound in the world is the human voice.

Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

I didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.

I’m 90% performer, 10% musician. I’ve always said that Gossip are a band I would go see, not a band I would listen to.

Like family, we are tied to each other. This is what all good musicians understand.

Musicians now find themselves in the unlikely position of being legitimate. At least the IRS thinks so.

I have seen so many bands and musicians fade away, especially the ones in my early days that treated me and my bands with contempt for no other reason than that they were headlining the show, not all though, with great exceptions such as Slade and Vinegar Joe.

The magic of playing has to do with how much everyone wants it to succeed.

If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won’t succeed even if one of the musicians takes control.