The thing to judge in any jazz artist is, does the man project and does he have ideas.
MILES DAVISI’m out there doing the best that I can, My lip is cut and I’m still playing.
More Miles Davis Quotes
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Knowledge is freedom and ignorance is slavery.
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Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
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[Jazz musicians] feel comfortable with their clichés, you know.
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There are no wrong notes.
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It took me twenty years study and practice to work up to what I wanted to play in this performance. How can she expect to listen five minutes and understand it?
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Music is an addiction.
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In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.
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It takes you years to learn how to play like yourself.
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I usually write from the rhythm section…If a drummer got a funky beat on some things – like a half-shuffle or a shuffle or a backbeat that’s even – I can write something.
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I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.
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If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can’t be trusted.
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To keep creating you have to be about change.
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If you love them in the morning with their eyes full of crust; if you love them at night with their hair full of rollers, chances are, you’re in love.
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With “We Are The World,” I can’t even eat when I watch that on television. If I’m eatin’ some food, I have to put it down. I feel very strongly about that.
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Jazz musicians are so comfortable. The reason they can’t do what we do is because they’re so comfortable doin’ what they do.
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In other words, an instrument should be an extension of you; it’s supposed to sound like you – the way you walk, the way you dress, you know.
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It’s not the notes you play, it’s the notes you don’t play.
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Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
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The way you change and help music is by tryin’ to invent new ways to play.
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I don’t care if a dude is purple with green breath as long as he can swing.
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Bebop didn’t have the humanity of Duke Ellington. It didn’t even have that recognizable thing. Bird and Diz were great, fantastic, challenging – but they weren’t sweet.
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I think every Negro over fifty should get a medal for putting up with all that crap.
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White folks always think that you have to have a label on everything – you know what I mean?
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I never thought Jazz was meant to be a museum piece like other dead things once considered artistic.
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Coltrane, you cant play everything at once!
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I don’t like to hear someone put down dixieland. Those people who say there’s no music but bop are just stupid; it shows how much they don’t know.
MILES DAVIS