I live in cinema. I feel I’ve lived here forever.
AGNES VARDAWe got along very well without trying to make me look like I’m what I’m not.
More Agnes Varda Quotes
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.
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I don’t do films pre-prepared by other people, I don’t do star system. So I do my own little thing.
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I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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Just yesterday I saw a good film, but even if I’d seen a bad one, I’d feel, “Oh my god, what a bad job, I can do better.”
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To change history is very slow. The first two times I came to the States – black people didn’t have the right to vote.
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I call [ordinary people] real people, because they have in themselves an incredible treasure – stories, a way of speaking, a way of sharing, an innocence and a perversity which I find very interesting to discover little by little.
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
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I quit seeing some people who were saying bad things about women; I don’t even want to meet them or see them.
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My company is called Ciné-Tamaris, which is rosemary. That’s my speed. Hot water and herb.
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It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn’t cross the ocean.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don’t have to be strong.
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