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For me, being onstage for an hour and a half, my confidence was really huge for me. Doing eight shows a week for a run.

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I’m like a boomerang, I always come back.
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I never knew modelling was what I wanted to do. I was just meandering through life having fun, having a laugh with my friends.
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Modelling is only about the look. In acting, it’s the feel that matters.
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Something just happens. Everything changes for a reason.
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Being such a tomboy growing up, that was one thing that changed me as a person, as well. It broadened me, like me cracking myself open in a certain way.
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I wish it were different, but my body clock wakes me up between 6:30 and 7:30 a.m. I was even talking yesterday about how, if I want to get enough sleep, I have to be in bed at 10. That means I’m totally a grandma.
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I suppose each project is a new thing, so there’s all this excitement and nerves about this new thing.
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I’d done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: “Wow!” They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: “I definitely want to do this!”
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I’ve never had formal drama-school training; I’ve just picked things up as I’ve gone along.
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I feel what is really great about Pusher is that it wasn’t about drugs and guns and strippers. That was just all circumstantial.
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I can’t just settle for anybody. The fact is I’m choosy, but mainly about a man’s character. He has to be interesting, funny and clever. I don’t even mind if he’s not very good-looking.
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I can’t do modeling disconnected. And I thought, “What do I like? What do I love about modeling?”
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Please don’t fall over, please don’t fall over, please don’t fall over!’
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I’m not oblivious to that connotation of changing careers, so I’m just going in and doing the job.
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I don’t think a name defines the core of who you are.
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A lot of stuff written about me is rubbish. I don’t know where they get it from, sometimes.
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