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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.

Agnes Varda

But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
AGNES VARDA

Alone Inside Ourselves Revolt Road Something Way Women
Good cinema is good cinema. It makes you feel like you need to work.
AGNES VARDA

Cinema Essential Feel Good Job Need Work Yesterday
The story of a couple is always very fragile, especially over more than thirty years.
AGNES VARDA

Always Couple Cuple Especially Fragile More Over Strong Thirty Year
The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
We got along very well without trying to make me look like I’m what I’m not.
AGNES VARDA

Among Like Look Trying Well Without
I’ve seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don’t do commercials,
AGNES VARDA

Beautiful Certain Film Keep Level Many People Quality Star
When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDA

Beautiful Film Filmmaker Finished Made Started Wanted
We need to find another way or another shape or an allegory or something that tells us more.
AGNES VARDA

Allegory Another Mean More Need Shape Something Tell Vagabond
The boundaries between contemporary art and cinema are so rigid. It’s unbelievable.
AGNES VARDA

Art Boundaries Cinema Contemporary Critics Film Rigid Unbelievable
An old woman I loved very much when I was young – the wife of Jean Villard – she’s just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That’s all she does.
AGNES VARDA

Beautiful Children Loved Mean Old People Poetry Reciting Time Wife Woman
It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
AGNES VARDA

Cinema Family Happen Living Long Process Travel Way
I try to do nothing. I drink rosemary when I have a lot of work to do. People take coffee, they take speed, whatever. I take rosemary.
AGNES VARDA

Coffee Lot Nothing People Rosemary Trying Work
If you know nothing, it could be like an enemy in a way. I think that’s the way I felt when I was young.
AGNES VARDA

Enemy Felt Like Nothing Think Thinking Way Young
It’s nice to think that we have in ourselves the energy. It’s somewhere, but it’s sleeping sometimes. I try to wake it up when I need it.
AGNES VARDA

Energy Nice Ourselves Sleep Sleeping Sometimes Somewhere Thinking
I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.
AGNES VARDA

Afraid Doing Look Ridiculous Risk Such Take Wished
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA

Dry Edit Les Make Minimum More Plage Refined Saying Square Use Way Well

I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.

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I think it’s ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do.

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Popular Authors

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