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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.

Agnes Varda

The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
AGNES VARDA

Mirror Portrait See Self You Yourself
I didn’t see films when I was young. I was stupid and naïve. Maybe I wouldn’t have made films if I had seen lots of others; maybe it would have stopped me.
AGNES VARDA

Beautiful Crazy Film Maybe Stopped Stupid Young
I didn’t go to film school. I was never an assistant or trainee on a film. I had not seen all those cameras. So I think it gave me a lot of freedom.
AGNES VARDA

Assistant Camera Film School Thinking Trainee
In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
AGNES VARDA

Always Film Giving Movie People Show Thing
My grandson says I’m punk.
AGNES VARDA

Call Grandson Nickname Punk
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn’t want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
AGNES VARDA

Away Catch Consumption Documentary Eating Ethnography People Want Problem Serious Sociologie Subject Thinker Throw Wanted
The mirror is the tool of the one who wants to do a self-portrait. And if you want to make a photo you need a mirror.
AGNES VARDA

Make Mirror Need One Photo Portrait Self Tool
When I started I did not know I wanted to be a filmmaker. I started – I made a film. Then when I finished I said, Oh my god it’s so beautiful – I should be a filmmaker!
AGNES VARDA

Beautiful Film Filmmaker Finished Made Started Wanted
To share a lot of ideas – not ideas – emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
AGNES VARDA

Emotion Idea Life Looking Lot Mean People Share
People like my films. They understand me through my films; it’s like a connection that has been established between all my work and myself and the audience and the viewer.
AGNES VARDA

Connection Established Film People Understand
Sometimes I say, If I had seen some masterpieces, maybe I wouldn’t have dared start. I started very – not innocent, but naïve in a way.
AGNES VARDA

Draed Innocent Masterpiece Say Sometimes Start Way
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It’s like when you start to jump and you put the pole very high – you have to jump very high. I thought, I have to use cinema as a language.
AGNES VARDA

Cinema Country Different Director Film First High Jump Language Pole Started Three Women
I go back to many films that I really love.
AGNES VARDA

Film Love Need Really Watches Year
I have to do something which relates with my time, and in my time, we make things differently.
AGNES VARDA

Differently Make Relate Something Thing Time
I’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
AGNES VARDA

Bed Documentary Idea Knowing People Speak Speaking Telling Trying Wonderful
When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don’t make it. So I tried to make it more refined.
AGNES VARDA

Dry Edit Les Make Minimum More Plage Refined Saying Square Use Way Well

I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.

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I don’t believe in inspiration that arrives like a bolt from the blue … It seems to me that the more motivated I am by what I film, the more objectively I film.

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Popular Authors

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