It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.
AGNES VARDAI’m myself – knowing I’m doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers.
More Agnes Varda Quotes
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We got along very well without trying to make me look like I’m what I’m not.
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I’m still fighting. I don’t know how much longer, but I’m still fighting a struggle, which is to make cinema alive and not just make another film.
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In my films I always wanted to make people see deeply. I don’t want to show things, but to give people the desire to see.
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I’d been educated stupidly, I knew nothing about nothing, that’s part of being shy.
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She almost doesn’t recognize her children, but she recites Valéry and Baudelaire. So what? We’re the ones who are suffering. She’s not.
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The film critics don’t know my artwork and the art world doesn’t know my films.
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The story of a couple is always very fragile, especially over more than thirty years.
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There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, “Le jeu et les moi.” It’s impossible to translate, because it has a very nice sound.
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It’s a way of living, cinema. And I see my family, I do this and that, I travel. It’s a long process to let it happen.
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Gleaning is getting things that are abandoned. I did not abandon my early pictures, my photos, my early films. It’s just going through my body of work as something I can pick from.
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We need to find another way or another shape or an allegory or something that tells us more.
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You have to be strong to be a carpenter, maybe, but the director of a film doesn’t need to have muscles.
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I’m sure they learn a lot, and some of them, it makes them aware of what they wish to do. I was – that’s the way I was – autodidact.
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I never adapted anything. Beautiful books are beautiful books, that’s it. I don’t know why we should transform them.
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Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don’t watch, unless I need them.
AGNES VARDA