Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.
ADRIENNE RICHThe danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
More Adrienne Rich Quotes
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Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
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The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
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I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.
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Can individual psychic wounds really heal in an abusive and fragmented society? Audre Lorde has a poem which begins,
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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Art, whose honesty must work through artifice, cannot avoid cheating truth.
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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The so-called multiple-choice examination sheet with the number 2 pencil to mark one choice and one choice only?
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Writers matter in a society to the extent that we can help that society hear its unvoiced longing, encounter its erased and disregarded selves, break with complacency, numbness, despair.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
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Grief held back from the lips wears at the heart; the drop that refused to join the river dried up in the dust.
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Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem.
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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
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What I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
ADRIENNE RICH






