The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
ADRIENNE RICHWomen have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work.
More Adrienne Rich Quotes
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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and I ask myself and you, which of our visions will claim us which will we claim how will we go on living how will we touch, what will we know what will we say to each other.
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There is no ‘the truth’,’a truth’ – truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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I long to create something that can’t be used to keep us passive: I want to write a script about plumbing, how every pipe is joined to every other.
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Waiting for children to grow up, or for the birth of a new child, or for menopause.
ADRIENNE RICH -
It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.
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Women’s art, though created in solitude, wells up out of community.
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
ADRIENNE RICH -
Just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
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To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence– words you have dreaded and needed in order to know you exist.
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I have an inward treasure born with me, which can keep me alive if all the extraneous delights should be withheld or offered only at a price I cannot afford to give.
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The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
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There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
ADRIENNE RICH