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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.

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There’s been a lot of progress recently. And I shouldn’t make a definitive statement about this.
ADRIAN TOMINE

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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
ADRIAN TOMINE

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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
ADRIAN TOMINE

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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
ADRIAN TOMINE

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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
ADRIAN TOMINE

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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
ADRIAN TOMINE

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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
ADRIAN TOMINE

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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
ADRIAN TOMINE

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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
ADRIAN TOMINE

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“What you do for a living?” It used to be easier just to tell people that I was a magazine illustrator than try to explain that I did comics.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
ADRIAN TOMINE

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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
ADRIAN TOMINE

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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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No one would get into doing a black-and-white comic because they thought it might be a route to riches.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
ADRIAN TOMINE

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