That’s why I want to speak to you now. To say: no person, trying to take responsibility for her or his identity, should have to be so alone.
ADRIENNE RICHIt can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
More Adrienne Rich Quotes
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
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And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
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Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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But before we were mothers, we have been, first of all, women, with actual bodies and actual minds.
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When one woman tells her truth, it makes a space for other women to tell their truths.
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False history gets made all day, any day, the truth of the new is never on the news.
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If I cling to circumstances I could feel not responsible. Only she who says she did not choose, is the loser in the end.
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If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
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I am suspicious – first of all, in myself – of adopted mysticisms of glib spirituality, above all of white people’s tendency to … vampirize American Indian, or African, or Asian, or other ‘exotic’ ways of understanding.
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The channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.
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Sexuality, politics, intelligence, power, motherhood, work, community, intimacy will develop new meanings; thinking itself will be transformed. This is where we have to begin.
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One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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I think my work comes out of both an intense desire for connection and what it means to feel isolated. There’s always going to be a kind of tidal movement back and forth between the two.
ADRIENNE RICH