I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINEWhereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
More Adrian Tomine Quotes
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I started publishing my comic while I was still living with my parents.
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That partially due to the world of media and commerce, the idea of a comic book has been lost in the ghetto.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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I feel like if people are going to go to the effort to get a stamp and, you know, put it on an envelope that, you know, it’s a big effort these days. So I often write back.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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Just in terms of being able to be a professional artist, but also it’s nice to not have to dread introductions.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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I never go home and take out those business cards and go to those websites.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
ADRIAN TOMINE






