“Somewhere so deep inside that the doctors can’t find it with all their machines and microcameras.”

I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren’t going to get the job, and I hate putting them through that.

I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.

The rooms I tend to be in are pretty democratic and the best idea wins.

Ice congeals in the stomach. Frost spiderwebs in the lungs.

I think there is a complicated side effect to overcoming evil in that we are forever changed by it.

I show up on time, I am very rigorous about scheduling, and I am very focused.

What I’ve learned in the last few years is that I am merely a storyteller.

I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.

I try not to write more than two or three, I try to just write one if possible

I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.

Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.

The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky

I don’t like it when it’s consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature.

It just happens quicker and faster now.

If I tried to write that it would just be false. Or I’d have someone enter with a machine gun.

Snow settles in the liver. The bowels grow thick with humidity.