When it’s just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
ADAM RAPPFor some reason it made me want to curl up in the fetal position. I could have slept right there on their kitchen table.
More Adam Rapp Quotes
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I’ve lost lots of relationships because of my having to ignore everything.
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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows; but I feel like a New Yorker now, I’ve lived here for sixteen years.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it’s a lie already at work.
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I don’t put big concepts on my work, and it’s all often about keeping actors in a room together and not letting them leave.
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It’s been hard for me to not write, and that’s the only process I can speak to I guess, it’s so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life.
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The same way you can hear a song in your head even if there isn’t a radio playing; the same way you can hear those blackbirds flying when they’re not in the sky
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Snow settles in the liver. The bowels grow thick with humidity.
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You have to escape to survive, as you must survive to escape.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn’t matter.
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I know that something inevitable will happen.
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I tend to not write for a long period of time until I can’t not write, and then I write first drafts in gallops.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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In Chekhov, when people leave, a carriage is taking them away forever.
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And now we have all this access to public transportation, automobiles and jets and the Internet
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn’t intend, or they were stylizing something that was compromising the play
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I appreciate good criticism and I think it’s really important.
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I feel that I’d rather know an actors’ work, or have an instinct about them and sit down and have coffee with them, or I’ll see them in something and I’ll see if I can get along with them in some way, shape, or form.
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My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I don’t mind him not talking so much, because you can hear his voice in your heart
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I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I don’t know where the characters are going to go or what’s going to happen.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I don’t like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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And there’s nothing like the feeling of perfection that will inspire repeated behavior.
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Sometimes when I’m directing, the stage manager will have a good idea and that’s okay with me.
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I don’t know if I have the ability to write an ending like My Fair Lady’s, when everyone gets what they want after a few minor conflicts.
ADAM RAPP