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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

Ada Louise Huxtable

There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Horror Kid Mean People Two Vacuum World
Real estate is the closest thing to the proverbial pot of gold.
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Estate Gold Pot Proverbial Real
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Afford Architecture City Ultimate Deserve Keep
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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Art Cities Concentrated Country Scale Sunlight Superskyscrap
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Art Demeaning Deprived Feeling Reduce Self
New York, thy name is irreverence and hyperbole. And grandeur.
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Country Grandeur Hyperbole Irreverence Name
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Home Matter May Monummentaist
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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Clutter Feeling. Oldest Involve Iron Long Most
The New York Hilton is laid out with a competence that would make a computer blush.
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Blush Competence Country Computer Laid
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
ADA LOUISE HUXTABLE

Bad Big Building Gigantism Tombstone Tragedy Triumph
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Art Box Candy Lying National Sarcophagus Tragedy
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Empty Magic Necessary People Space Supplies
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Chunk Consume Decoration People Special Waiting
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Building Delight Dimension Extra Important National Sense Tragedy Wonder
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Academic Architecture Century Developed Dictate

Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.

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