The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLEEmbellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
More Ada Louise Huxtable Quotes
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Real estate is the closest thing to the proverbial pot of gold.
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New York, thy name is irreverence and hyperbole. And grandeur.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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