Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
More Ada Louise Huxtable Quotes
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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That turns the Jersey wasteland into a pretty classy dump.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Real estate is the closest thing to the proverbial pot of gold.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
ADA LOUISE HUXTABLE







