Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLESummer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
More Ada Louise Huxtable Quotes
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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Surrogate experience and surrogate environments have become the American way of life.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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