I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
ADA LOUISE HUXTABLEAn excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
More Ada Louise Huxtable Quotes
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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That turns the Jersey wasteland into a pretty classy dump.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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Washington is an endless series of mock palaces clearly built for clerks.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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A disaster where marble has been substituted for imagination.
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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