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The New York Hilton is laid out with a competence that would make a computer blush.

Ada Louise Huxtable

Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
ADA LOUISE HUXTABLE

Architecture Creative Elusive Expressive Good Planning Synthesis
New York, thy name is irreverence and hyperbole. And grandeur.
ADA LOUISE HUXTABLE

Country Grandeur Hyperbole Irreverence Name
. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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Admire City Country Demolished Ultimately
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Afford Architecture City Ultimate Deserve Keep
Washington is an endless series of mock palaces clearly built for clerks.
ADA LOUISE HUXTABLE

Build Clearly Clerk Country Endless Palace
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Building Delight Dimension Extra Important National Sense Tragedy Wonder
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
ADA LOUISE HUXTABLE

Consuming Embellishment Enough Establishing History Human Inability
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Creative Creativity Draw Know Past Pretend
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Age Building Cities Dream Landmark Past Tall
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Empty Magic Necessary People Space Supplies
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
ADA LOUISE HUXTABLE

Architecture Pursuit Style Unapologetic Unfettered
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most

The New York Hilton is laid out with a competence that would make a computer blush.

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The New York Hilton is laid out with a competence that would make a computer blush.

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