The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
ABBAS KIAROSTAMIIn order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
More Abbas Kiarostami Quotes
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
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If I do continue to have the opportunity to work in Iran, that’s very much what I’d prefer to do.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
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Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
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It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
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If it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
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Having an international voice is not really about whether we speak Persian or any other language.
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I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
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We don’t look at each other [in the car], but instead do so only when we want to. We’re allowed to look around without appearing rude. We have a big screen in front of us and side views.
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
ABBAS KIAROSTAMI