“Film is very much a universal and common voice, and we can’t limit it to one particular culture.”

Silence doesn’t seem heavy or difficult.

I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!

It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.

Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.

I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.

I have a picture from the end of the shoot, and in it I have lost all my hair.

I don’t have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who’s in my mind in reality.

I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.

Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.

Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.

My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.

It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.

I really haven’t seen The Report in a long time. I don’t have a copy, but I’ll have to see it again. I think it would be good to put both these men next to each other.

I think that if you’re a digital thinker, you can use a digital camera.

As soon as people enter a theater they must become moron consumers who must be fed information.

I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.

A sign of a culture that has lost its faith – Moral collapse follows upon spiritual collapse.

Charity, especially towards the vulnerable, is the best opportunity we have to keep working to build up a culture of encounter.

Create the kind of workplace and company culture that will attract great talent. If you hire brilliant people, they will make work feel more like play.

Cultures aren’t so much planned as they evolve from that early set of people.

A race of people is like and individual man; until it uses its own talent, takes pride in its own history, expresses its own culture, affirms its own selfhood, it can never fulfill itself.

Mr. Bean is essentially a child trapped in the body of a man. All cultures identify with children in a similar way, so he has this bizarre global outreach.

Trade is a communication of cultures and values.

Culture changes, fashions change, customs change. Great music is immortal.