The responsibility of the writer is to be a sort of demonic social critic — to present the world and people in it as he sees it and say, “Do you like it? If you don’t like it, change it.
Audiences and, to a large extent, critics who want less from theater than it is possible for it to give. If everybody’s encouraged to want less, you’ll end up with less.
One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
All serious art is being destroyed by commerce. Most people don’t want art to be disturbing. They want it to be escapist. I don’t think art should be escapist. That’s a waste of time.
Well, when you write about people of a certain age we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.
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