“My favorite guitar solo of all time was Elliot Randall’s on `Reelin’ In The Years’.”

I don’t like to tell people what format they can get things in, or say, “I’m only going to release this on vinyl and nothing else. You have to come to my world.” I don’t like to say that to people either. But, I do think there’s a loss of romance.

This week, I’m a gypsy. Maybe next week it’ll be glitter rock.

I bet you can’t play slide piano.

I’m not interested in turning anybody on to anybody that I’m turned on to… if people want to find things, they find them themselves.

There’s such a wealth of arts and styles within the guitar… flamenco, jazz, rock, blues. You name it, it’s there. In the early days my dream was to fuse all those styles. Now composing has become just as important.

The only term I won’t accept is “genius.”

The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.

There’s music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you’re playing it or you’re receptive, as an audience.

Crowley didn’t have a very high opinion of women, and I don’t think he was wrong.

I’m over 30 now, but I didn’t expect to be here.

My guitar style was developed during that 10-year period. That’s me. That’s the way I play, and I don’t wish to play any other way. Our own individual identities are firmly stamped on this album.

My vocation is more in composition really than anything else – building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.

I spend a lot of time near water.

Once I get onstage the tension explodes and I’m fine. I’m in another world – in a trance almost, doing what I love best, expressing myself through guitar.

I think it’s time to travel, start gathering some real right-in-there experiences with street musicians around the world.

There’s a certain standard in classical music that allows the application of the term “genius,” but you’re treading on thin ice if you start applying it to rock & rollers.

There were basically three themes. One was the sun theme which is the guitar when he’d get sun on his leg and it comes again in the end. And there’s of course the lullaby which Dido sang, “If I Rise.” And then there’s this driving guitar which is the motivation theme.

I taught myself how to play the guitar, I taught myself how to play the drums, and I kind of fake doing both of them. But drumming comes more natural to me, and it just feels better.

Technically, I’m not a guitar player, all I play is truth and emotion.

The time I burned my guitar it was like a sacrifice. You sacrifice the things you love. I love my guitar.

I wouldn’t say that I’m the greatest guitarist ever. I’d say probably that I’m the greatest guitarist sitting in this chair.

Sometimes you want to give up the guitar, you’ll hate the guitar. But if you stick with it, you’re gonna be rewarded.

It was my love for the guitar that first got me into music and singing.

If you pick up a guitar and it says, ‘take me, I’m yours,’ then that’s the one for you.