“I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.”

When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there’s a hell of a long way rock & roll has to go.

Everything that came later… the roots are all there in the first album.

I like change and I like contrast.

I’m still terrified of flying. I really have to get drunk to fly. I’ve found that I’ve developed fears I never had before… fears of heights, claustrophobia only in cities, though, never in the country.

I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.

Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.

So many people are frightened to take a chance in life and there’s so many chances you have to take.

Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.

So far I’ve been very, very fortunate because it appears that people like to hear the music I like to play. What more fortunate position can a musician be in?

There’s too many good musicians around for the music around for the business to be sagging.

Seeing people’s faces, really getting off on them, makes me incredibly happy. Genuinely.

I guess the solo from ‘Achilles Last Stand’ is in the same tradition as the solo from ‘Stairway to Heaven’ It is on that level to me.

Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.

The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.

There’s a plaque on our wall that says we’ve sold over 65 million albums, and I don’t feel I’ve accomplished anything. I feel like I’m just getting started.

Everyone gets that second album syndrome.

My guitar style was developed during that 10-year period. That’s me. That’s the way I play, and I don’t wish to play any other way. Our own individual identities are firmly stamped on this album.

A good producer brings out the best in the artist he’s working with. You shouldn’t be able to listen to something and say, ‘So-and-so produced this album.

Everything that came later… the roots are all there in the first album.

I want to sell out arenas and make an album and work with some of the best artists in the world.

If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.

I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.