There’s such a wealth of arts and styles within the guitar… flamenco, jazz, rock, blues. You name it, it’s there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
JIMMY PAGESo far I’ve been very, very fortunate because it appears that people like to hear the music I like to play. What more fortunate position can a musician be in?
More Jimmy Page Quotes
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I really don’t like showing people how I play things; it’s a little embarrassing because it always looks so simple to me.
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If you’re working at the factory and you’re cursing every day that you get up, at all costs get out of it. You’ll just make yourself ill.
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But to put out a greatest hits on one CD was totally impossible, I just couldn’t do it. The best compromise was to put out two CDs – Early Days – which is what it is – and Latter Days.
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My vocation is more in composition really than anything else – building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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Right from the first time we went to America in 1968, Led Zeppelin was a word-of-mouth thing. You can’t really compare it to how it is today.
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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.
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There’s a certain standard in classical music that allows the application of the term “genius,” but you’re treading on thin ice if you start applying it to rock & rollers.
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I may not believe in myself, but I believe in what I’m doing.
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There’s too many good musicians around for the music around for the business to be sagging.
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Domesticity and all that isn’t really for me.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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All my houses are isolated. Many is the time I just stay home alone.
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Every record is a portrait of the band at that time.
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Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’
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I don’t go walking into things blind.
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My favorite guitar solo of all time was Elliot Randall’s on `Reelin’ In The Years’.
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I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.
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I don’t feel I have to top myself at all.
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I’m attracted by the unknown, but I take precautions.
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I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
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Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.
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I don’t like being stuck in one situation, day to day.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.
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I’m over 30 now, but I didn’t expect to be here.
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There’s so much that can be done on the guitar. And that’s what is so good about the guitar – everyone can really enjoy themselves on it and have a good time, which is what it’s all about.
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I don’t care what critics and other people think.
JIMMY PAGE