I’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
BRENT FAIYAZI think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
More Brent Faiyaz Quotes
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My music is often written from the perspective of an extroverted introvert.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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In order for people to take what you say seriously, they have to know who you are as a person.
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Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.
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Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that’s kind of how I realized I could sing.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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I got a toy keyboard when I was around like five or six.
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I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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I want to put my soul into the music and still be who I am when it comes to an actual conversation.
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I probably talk to myself more than I talk to anyone.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I want to own my masters. That’s the main thing–owning all my music.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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I don’t wake up thinking about the genre of R&B as a whole. I just make music.
BRENT FAIYAZ