What is pertinent is the calmness of that beauty, its sense of restraint.
KAZUO ISHIGUROIt had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
More Kazuo Ishiguro Quotes
-
-
Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGURO -
There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
KAZUO ISHIGURO -
My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
KAZUO ISHIGURO -
I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
KAZUO ISHIGURO -
When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
KAZUO ISHIGURO -
It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
KAZUO ISHIGURO -
What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
KAZUO ISHIGURO -
Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
KAZUO ISHIGURO -
Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
KAZUO ISHIGURO -
There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
KAZUO ISHIGURO -
As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
KAZUO ISHIGURO -
I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO -
But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
KAZUO ISHIGURO -
As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
KAZUO ISHIGURO -
Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
KAZUO ISHIGURO






