“Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.”

People were incredibly kind to our family and went out of their way to help.

Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.

After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?

Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.

As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.

There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.

I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.

What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.

As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.

An artist’s concern is to capture beauty wherever he finds it.

You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.

When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.

The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.

The world is crawling with authors touring now. They’re like performance artists.

You say you’re sure? Sure that you’re in love? How can you know it? You think love is so simple?

I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.

True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.

All the powers of soul and body, memory, understanding, and will, interior and exterior senses, the desires of spirit and of sense, all workin and by love.

If it were given to a man to see virtue’s reward in the next world, he would occupy his intellect, memory and will in nothing but good works, careless of danger or fatigue.

Your memory and your senses will be nourishment for your creativity.

Tis beauty, so to speak, nor good talk necessarily. It’s just IT. Some women will stay in a man’s memory if they once walked down a street.

If you want to keep your memories, you first have to live them.

Take care of all your memories. For you cannot relive them.

A weathered skeleton in windy fields of memory, piercing like a knife.