And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
KAZUO ISHIGUROI try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
More Kazuo Ishiguro Quotes
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
KAZUO ISHIGURO -
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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Don’t you wonder sometimes, what might have happened if you tried?
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One is not struck by the truth until prompted quite accidentally by some external event.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
KAZUO ISHIGURO