“I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.”

My kind of director is an actor-director who writes.

A director is someone who presides over a series of accidents.

I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.

The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.

The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.

The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.

Every true artist must, in his own way, be a magician, a charlatan.

I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.

Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.

Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.

Nobody who takes on anything big and tough can afford to be modest.

The enemy of art is the absence of limitations.

Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate.

When you are down and out something always turns up – and it is usually the noses of your friends.

I have always been more interested in experiment, than in accomplishment.

I dont believe in learning from other peoples pictures. I think you should learn from your own interior vision of things and discover, as I say, Innocently, as though there had never been anybody.

Ever since I was younger, I was fascinated by cars and driving. The first time I actually drove a car, I was twelve years old.

That’s a sound design thing but then we wanted to do music that would not disturb it and at the same time drive it.

I felt the warmest on winter drives with you.

There were basically three themes. One was the sun theme which is the guitar when he’d get sun on his leg and it comes again in the end. And there’s of course the lullaby which Dido sang, “If I Rise.” And then there’s this driving guitar which is the motivation theme.

I’ve already established my (political)machinery. It’s like a car. It’s fixed already. You just have to get in and drive it.

I could drive from the age of nine. My dad had his car pitch at home, and we used to drive the cars around the land, take them up to the tap, wash them, and reverse them back.

You’re a victim from my drive-by of thoughts.

I think there was something about being in a tough environment that gave me a certain drive.