“I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.”

I hate women, hate them generally, not in particular but in an abstract way. I hate them because one never really learns anything about them. They are inscrutable.

Race hate isn’t human nature; race hate is the abandonment of human nature.

I don’t say we all ought to misbehave, but we ought to look as if we could.

I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.

Never expect justice in this world. That is not part of God’s plan. Everybody thinks that if they don’t get it, they’re some kind of odd man out. And it’s not true. Nobody gets justice – people just get good luck or bad luck.

A movie in production is the greatest train set a boy could ever have.

Friendship creates only the illusion of not being alone.

See, I believe that it is not true that different races and nations are alike. I’m profoundly convinced that that’s a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.

An artist is always out of step with the time. He has to be.

Criticism is the essence of creation.

Hollywood is a gold-plated suburb suitable for golfers, gardeners, assorted middlemen, and contented movies stars. I am none of these things.

The classy gangster is a Hollywood invention.

I started at the top and worked my way down.

When people accept breaking the law as normal, something happens to the whole society.

People are losing the capacity to listen to words or follow ideas.

What’s happening now is what happened before, and often what’s going to happen again sometime or other.

It’s hard for a liberal to go on between Sean Hannity and Rush Limbaugh, because it’s like doing country music after hip-hop. I mean, just, the audience doesn’t go from one to the other.

And when it’s sold to 50 countries or whatever, for me it’s a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.

I would love to work in international movies just because the talent all around the world is great.

There’s a lot of good talent and the audience base is bigger.

It’s basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema.

The real resistance now is to an art which forces its audience to recognize and accept imaginatively.

We’ve never written a song and thought ‘oh it’d be great if in this part this happened in the audience’.

We don’t play to be seen. I’m addicted to music, not audiences.