They teach anything in universities today. You can major in mud pies.
ORSON WELLESI can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.
More Orson Welles Quotes
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The enemy of art is the absence of limitations.
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I’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.
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If you want a happy ending, that depends, of course, on where you stop your story.
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I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
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Human nature is eternal; therefore one who follows his nature keeps his original nature, in the end.
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Every true artist must, in his own way, be a magician, a charlatan.
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I’ve spent most of my mature life trying to prove that I’m not irresponsible.
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A good artist should be isolated. If he isn’t isolated, something is wrong.
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Nobody gets justice. People only get good luck or bad luck.
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A film is never really good unless the camera is an eye in the head of a poet.
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An artist is always out of step with the time. He has to be.
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The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.
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Living in the lap of luxury isn’t bad except that you never know when luxury is going to stand up.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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Old age is the only disease you dont want to be cured of.
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See, I believe that it is not true that different races and nations are alike. I’m profoundly convinced that that’s a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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I’ve never understood the cult of Hitchcock. Particularly the late American movies. Egotism and laziness. And they’re all lit like television shows.
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My kind of director is an actor-director who writes.
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People are losing the capacity to listen to words or follow ideas.
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Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.
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Popularity should be no scale for the election of politicians. If it would depend on popularity, Donald Duck and The Muppets would take seats in senate.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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Nobody who takes on anything big and tough can afford to be modest.
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Working is part of life, I don’t know how to distinguish between the two. Work is an expression of life.
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I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.
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Now I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
ORSON WELLES