“Criticism is the essence of creation.”

There are only two emotions in a plane: boredom and terror.

Ignorance sheer ignorance. There is no confidence to equal it. It’s only when you know something about a profession that you are timid or careful.

My doctor told me to stop having intimate dinners for four. Unless there are three other people.

I’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.

Future shock is a sickness which comes from too much change in too short a time. It’s the feeling that nothing is permanent anymore.

I’ve spent most of my mature life trying to prove that I’m not irresponsible.

The Godfather’ was the glorification of a bunch of bums who never existed.

If I ever own a restaurant, I will never allow the waiters to ask if the diners like their dishes. Particularly when they’re talking.

My kind of director is an actor-director who writes.

A director is someone who presides over a series of accidents.

I’m one of those fellows so frightened of driving that I go 80 miles an hour – and the more frightened I get, the faster I go.

The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.

The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.

The camera is much more than a recording apparatus, it is a medium via which messages reach us from another world.

Every true artist must, in his own way, be a magician, a charlatan.

I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.