“When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.”

My father hasn’t backed me in any way, and I don’t think anybody has backed me.

There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.

I think everything is temporary.

Failure affects me hard.

It is easier to produce a film on your own than convincing another person to come on board.

If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.

I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.

Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.

The less people know about you, the more you understand how beautiful life is. It’s good when you exist only on screen. I don’t want them to take me home. I love to have my privacy.

What I look for in a project is whether the storyline excites me.

I never wanted to be an actor but ended up being one.

Roles don’t fascinate me. It is the narrative, the screenplay that is fascinating.

If I do a film, I go to the place where it is based on, interact with people, and then, I believe, you pick up things without you even noticing.

It feels good to hear good things about yourself.

When you are talking about human emotions, stardom doesn’t matter.

Whenever I have really enjoyed being part of a film, it has worked well for me.

I love that drag is a way for people to vacation in the gay nightlife, but… it’s quite a different experience to perform for a gay audience than a straight audience.

I trust two people, myself and the other is not you, its God.

The larger the audience the better. The more pockets in the world, the more interesting and exciting because it just makes it that much more liberating. This makes it that much more liberating for the various facets of creativity to be explored.

With comedy, you never know until you put it in front of an audience. You shoot it and a year later you have no idea if it’s going to work. And then you get the response. It’s great when it’s good.

I can think of nothing that an audience won’t understand. The only problem is to interest them; once they are interested, they understand anything in the world.

My career is too short for there to be any turns! But I would say that not everyone is noticed and accepted in their debut films. I was accepted both by the industry and the audience.

I think the perception of audiences that love folk and country is they’re perceived to be more closed-minded than they really are.

I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.