“It doesn’t matter to me how I look on screen. What matters to me is how I connect with the audience.”

When I am with my friends, I am comfortable.

The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.

I don’t expect to win awards while working in films.

I know it’s a big gamble, but I want to do good films.

My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.

I am an actor, and I would like to reinvent myself through every character that I portray.

My father hasn’t backed me in any way, and I don’t think anybody has backed me.

There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.

I think everything is temporary.

Failure affects me hard.

It is easier to produce a film on your own than convincing another person to come on board.

If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.

I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.

Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.

The less people know about you, the more you understand how beautiful life is. It’s good when you exist only on screen. I don’t want them to take me home. I love to have my privacy.

What I look for in a project is whether the storyline excites me.

She seemed glad to see me when I appeared in the kitchen, and by watching her I began to think there was some skill involved in being a girl.

Trusting no man as his friend, he could not recognize his enemy when the latter actually appeared.

I want to look otherworldly, like I was made in a factory.

I saw opportunity appear in an ugly six-spindle shake machine … and grabbed it.

His conclusion was that things were not always what they appeared to be. The cub’s fear of the unknown was an inherited distrust, and it had now been strengthened by experience. Thenceforth, in the nature of things, he would possess an abiding distrust of appearances.

Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will nonetheless get something that looks remarkably like it.

War is hell. Hollywood fantasizes about it and makes it look good; war sucks.

When I broke into professional hockey at 17 I was told that I was too small and too slow and I wouldn’t make the NHL. Now it’s kind of flip-flopped and the sense is I can’t be a good coach because I was a great athlete.