“Most of the films that I do help me learn something.”

I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.

Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.

When I am with my friends, I am comfortable.

The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.

I don’t expect to win awards while working in films.

I know it’s a big gamble, but I want to do good films.

My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.

I am an actor, and I would like to reinvent myself through every character that I portray.

My father hasn’t backed me in any way, and I don’t think anybody has backed me.

There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.

I think everything is temporary.

Failure affects me hard.

It is easier to produce a film on your own than convincing another person to come on board.

If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.

I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.

Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.

Learn how to learn, then learn what to learn.

When you stop learning you stop growing.

The more you teach positive ideas to others, the better you learn them yourself.

Neither money pays, nor name pays, nor fame, nor learning; it is CHARACTER that cleave through adamantine walls of difference.

Successful people are not people without problems. They are people who have learned to solve their problems.

You can’t learn the truth about a man’s intentions by asking him.

And we are put on this earth a little space that we might learn to bear the beams of love.

If you are afraid of making mistakes, you won’t learn anything and you won’t make much money.