“There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.”

Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.

I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.

I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.

New York for me is about work. If L.A. were to become a West Coast version of that, I’d shoot myself. The climate, the lifestyle – it really fits as the yin to my New York yang.

When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.

Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.

I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes – where a woman’s personality and sense of style are realized.

All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.

Even the most understated ceremony involves a certain respect for ritual and pageantry. No one plays more of a significant role than the bride’s attendants.

It’s hard to balance everything. It’s always challenging.

I hate phones. All businesses are personal businesses, and I always try my best to get back to people, but sometimes the barrage of calls is so enormous that if I just answered calls I would do nothing else.

I do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.

I want people to see the dress, but focus on the woman.

I am not the sort of woman who would wear high heels with a bathing suit. Let’s get that straight right now.

I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.

I like the gritty parts of fashion, the design, the studio, the pictures.