Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
VERA WANGI do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.
More Vera Wang Quotes
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I see myself as an arbiter of taste.
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I’ve always tried to push myself technically and to push myself visually. That’s been part of the journey.
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They never ask the celebrities why they don’t wear their own clothes on the red carpet.
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Service is a prerequisite for anything relating to luxury. That makes it (shopping) sensual and pleasurable.
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In the end, it’s not about failure, it’s about how much you love what you do.
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I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
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I don’t live through my kids. But I do know what will happen in life, and I just want them well prepared.
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I’m only waiting for Lindsay Lohan’s fashion collection to come out. Ten years from now, there may be no real designers left.
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Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
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I’m not really a girl who likes to go out to lunch or cocktails or store openings.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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Is she going to, or has she done it? Has it happened? What is the story here?
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.
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I hate phones. All businesses are personal businesses, and I always try my best to get back to people, but sometimes the barrage of calls is so enormous that if I just answered calls I would do nothing else.
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Success isn’t about the end result; it’s about what you learn along the way.
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It’s a remarkable exercise to sit and look at your own work over the years.
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I always see where I didn’t do things the right way. I only see the heavy lifting. That’s a bit of my wisdom, if you want to call it that.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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I wanted to breathe new life into the timeless trend of past, present and future. These unique designs celebrate the bride and groom’s passage through their new life together.
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A woman is never sexier than when she is comfortable in her clothes.
VERA WANG