The intricate engraving, fine lines, beading and milgrain accents echo an era defined by elaborate embellishments.
VERA WANGA bride should look at everything she possibly can…just so she can experiment and see what makes her really feel beautiful or glamorous or classical or whatever she desires to be on that particular day.
More Vera Wang Quotes
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
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Don’t be afraid to take time to learn. It’s good to work for other people. I worked for others for 20 years. They paid me to learn.
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People get very trapped where they are. When they hear ‘fashion’ they get intimidated, particularly at the upper end because it’s so elitist.
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I was stigmatized by being a bridal designer for a long time. I am amazed I have been able to move beyond it. I had really all but given up trying, but I did it because it was my lifelong dream.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don’t often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
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I love sportswear in my own weird way. Fashion is such a personal journey for me. I’m much more of a girl that’s a T-shirt, legging, layering kind of thing, and outerwear.
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Let’s be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I’m staggered by what a boot costs today.
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It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
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I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
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A woman is never sexier than when she is comfortable in her clothes.
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A woman is never sexier than when she is comfortable in her clothes.
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In the dream world of Matisse and the gritty reality of American frontier, the diversity of women in our society offers the chance for greater exploration and even greater inspiration.
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Ready-to-wear is what I’ve wanted to do since the beginning. I’m not a girl who spends my life in a ballgown
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There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.
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In the end, it’s not about failure, it’s about how much you love what you do.
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Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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I was struggling to find a way to make evening clothes more deconstructed. I like to think that I translated the Latin concept in a more modern way. I don’t think that I was that literal.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes – where a woman’s personality and sense of style are realized.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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I’ve always tried to push myself technically and to push myself visually. That’s been part of the journey.
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