We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
VERA WANGJust because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
More Vera Wang Quotes
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People get very trapped where they are. When they hear ‘fashion’ they get intimidated, particularly at the upper end because it’s so elitist.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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I’m only waiting for Lindsay Lohan’s fashion collection to come out. Ten years from now, there may be no real designers left.
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I don’t live through my kids. But I do know what will happen in life, and I just want them well prepared.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one’s head as a designer.
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Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
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I wanted to breathe new life into the timeless trend of past, present and future. These unique designs celebrate the bride and groom’s passage through their new life together.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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I love sportswear in my own weird way. Fashion is such a personal journey for me. I’m much more of a girl that’s a T-shirt, legging, layering kind of thing, and outerwear.
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I want people to see the dress, but focus on the woman.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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I see myself as an arbiter of taste.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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It’s a remarkable exercise to sit and look at your own work over the years.
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My normal routine is pretty much putting out fires all day.
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All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.
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I love a black wedding dress.
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Bridal is always about who you are as a person and as a woman and as a lover and as a mate. People always ask me how a woman can pick just one dress. And the funny thing is they always know.
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Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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I do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.
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A bride should look at everything she possibly can…just so she can experiment and see what makes her really feel beautiful or glamorous or classical or whatever she desires to be on that particular day.
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It’s hard to juggle being a businessperson with being a creative person. You have to organize yourself – PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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My bedroom is my sanctuary. It’s like a refuge, and it’s where I do a fair amount of designing – at least conceptually, if not literally.
VERA WANG