I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
VERA WANGI’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
More Vera Wang Quotes
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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I do think I know more about clothes than any 500 designers, because there’s nothing like wearing them. You buy them, you study them, and you start to understand how they’re crafted.
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It’s a remarkable exercise to sit and look at your own work over the years.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
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My bedroom is my sanctuary. It’s like a refuge, and it’s where I do a fair amount of designing – at least conceptually, if not literally.
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I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes – where a woman’s personality and sense of style are realized.
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We got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
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Just because you’re from a city ten miles outside of St. Paul. It doesn’t mean you don’t read magazines, or the incredible Internet, and what’s going on in the world. I never, ever take a client, or women, for granted.
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I love a black wedding dress.
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I wanted to breathe new life into the timeless trend of past, present and future. These unique designs celebrate the bride and groom’s passage through their new life together.
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I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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All I did my first year at Vogue was Xerox.
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I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.
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The way a dancer can bring the crowd to its feet with a drawn-out, well-executed pirouette is the excitement I wanted to capture with this design.
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New York for me is about work. If L.A. were to become a West Coast version of that, I’d shoot myself. The climate, the lifestyle – it really fits as the yin to my New York yang.
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In the dream world of Matisse and the gritty reality of American frontier, the diversity of women in our society offers the chance for greater exploration and even greater inspiration.
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People get very trapped where they are. When they hear ‘fashion’ they get intimidated, particularly at the upper end because it’s so elitist.
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Bridal is always about who you are as a person and as a woman and as a lover and as a mate. People always ask me how a woman can pick just one dress. And the funny thing is they always know.
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When you have a passion for something then you tend not only to be better at it, but you work harder at it too.
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Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
VERA WANG