I play the piano passionately and inaccurately. Indeed, I worked out the other day that of my seventy-five years; I have spent at least one year sitting on a piano stool.
I’ve come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.
I know there isn’t no beast-not with claws and all that, I mean-but I know there isn’t no fear, either.” Piggy paused. “Unless-” Ralph moved restlessly. “Unless what?” “Unless we get frightened of people.
To be in a world which is a hell, to be of that world and neither to believe in or guess at anything but that world is not merely hell but the only possible damnation: the act of a man damning himself. It may be
His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink.
In India the odd thing is that English is this almost artificial language floating on the surface of a place with about fifty other languages. The same is true of Nigeria but even more so.
