“Of the authors writing in English, I’d mention Shakespeare and Milton. But all this is terribly high-hat and makes me sound very po-faced, I’m afraid; however, I just happen to like these enormous, swinging, great creatures.”

Ralph… would treat the day’s decisions as though he were playing chess. The only trouble was that he would never be a very good chess player.

Honestly, I haven’t the time to read contemporary writers. I know this is awful, but in the main it is true.

Fancy thinking the Beast was something you could hunt and kill! You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?

I hope my books make statements about our general condition.

I don’t think they [contemporary writers] read me either. I mean, if we’re concerned genuinely with writing, I think we probably get on with our work.

The mask was a thing on it’s own, behind which Jack hid, liberated from shame and self-conciousness.

Which is better — to be a pack of painted Indians like you are, or to be sensible like Ralph is? Which is better — to have rules and agree, or to hunt and kill? Which is better, law and rescue, or hunting and breaking things up?

I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That’s so many pages longhand.

If faces were different when lit from above or below — what was a face? What was anything?

Beethoven for listening; Liszt, Chopin, and Beethoven for playing as well as Bach and Prokofiev and so on. If I kept going, this list would spiral. It’s as wide as literature; in fact, it is probably wider.

I think women are foolish to pretend they are equal to men, they are far superior and always have been.

If I blow the conch and they don’t come back; then we’ve had it. We shan’t keep the fire going. We’ll be like animals. We’ll never be rescued.” “If you don’t blow, we’ll soon be animals anyway.

If faces were different when lit from above or below — what was a face? What was anything?

You have the older generation like Iris Murdoch and Angus Wilson who are not as old as Graham Greene, but still are coming on. I dare say anyone who knew the scene better than I know it could fill it in with a very satisfactory supply of novels.

My yesterdays walk with me. They keep step, they are gray faces that peer over my shoulder.

We’re all mad, the whole damned race. We’re wrapped in illusions, delusions, confusions about the penetrability of partitions, we’re all mad and in solitary confinement.

The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.

The thing I’d really like to see is the old London Bridge, with all the old buildings around it like Shakespeare’s Globe.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader’s imagination as the characters in their books.

I think American actors are much more intimidated by Shakespeare.

You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.

I’m not like J.K. Rowling, where I know there’s going to be this number of seasons, and I know exactly what’s going to happen.

The author brings to the table a healthy skepticism of the conventional wisdom, an admirable ability to separate fact from fancy, and an undisguised repugnance for the mumbo-jumbo that’s the curse of so much commentary on anything to do with economics or investment.

One kind of good book should leave you asking: how did the author know that about me?